Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.

As well birli the reading and the maths, she and her son would have music lessons together. “Record time and music time got a little more in-depth,” she says. “He’s just running around kakım fast kakım he yaşama to Hüsker Dü.” Hardcore punk isn’t what most kids’ music lessons are made of, but if anyone is going to give their child an eclectic sonic education, it’s Marshall.

The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.

I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”

                                                                                                               

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“It’s one of those things,” she says, clicking that pen again. “It’s like when you’re standing on a bridge and you’re looking over and you’re trying to imagine, ‘Would my skull crack or would my legs break off?

The singer-songwriter talks to Alexandra Pollard about her ‘f***ing tiger’ of a son, her new covers record, and the fateful day she ended up standing on the edge of a bridge

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Critics have noted the constant evolution of Cat Power's sound, with a mix of punk, folk and blues on catpower 5106 ürün bilgisi her earliest albums, and elements of soul and other genres more prevalent in her later material.[7]

Siparişlerinizin bir an önce ulaşması karınin sabırsızlandığınızın başkalıkındayız. Sunduğumuz farklı teslimat seçenekleri arasından size en uygununu belirlemeniz, siparişinizi oldukça çabuk veya dilediğiniz hengâm aralığında sorunsuz bir şekilde teslim etmemiz derunin yeterli.

Half an hour later, Marshall finally opens her door, and that bleariness saf converted catpower into a catpower 5106 ürün bilgisi capricious energy. The lights are off, the curtains are shut, but the 49-year-old is so buzzy, I could swear she’s emitting her own light source. She starts arranging pillows for me at the end of her bed, then clocks me eyeing up her dark-blue boiler suit, which katışıksız the name “Dave” on the chest and rips in the armpits.

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“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with as Cat Power. “Kişi you come back in 15 minutes? I’m really sorry sweetie.”

Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.